The man's houppelande was belted at the waist, whereas the woman's was belted beneath the bust. However, there were a few key differences.
The woman's and man's houppelande were similar in that both featured flared sleeves, high collars and voluminous skirts. It is first mentioned in French royal inventories in 1359 and is thought to have originated as a man's housecoat worn over the pourpoint. The term houppelande is of French origin in England it was called a goun, a term of mockery, and in Italy, a pellanda. The edges of the houppelande were often dagged, or cut into decorative patterns such as scallops, "embattled" tabs or even leaf shapes. It had its origins in the herigaut, a similar 13th-century garment with hanging sleeves. The houppelande appeared around 1360 and was to remain fashionable well into the next century.
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The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of today.
Sometimes the houppelande was lined with fur.
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And, because costume, jewelry, tapestries, and other aspects of clothing, cloth, and textiles are so important in medieval British writing and culture, the Encyclopedia will be just as important for scholars of medieval British literature and history.Medieval outer garment 15th century costume - the HouppelandeĪ houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. "A superb reference work well-produced color and black-and-white illustrations an essential work for scholars of medieval British dress and textiles, as well as for students of dress and material culture in general. (For the full review, please visit the TRC website.) It will also appeal to those involved in medieval re-enactments (Living History groups), and film and theatre groups who wish to increase their knowledge and accuracy." - Gillian Vogelsang-Eastwood, in: TRC Library, April 2016. This book should be in any academic library that has an interest in medieval European life (in all its aspects), medieval British history, as well as in the libraries of those working in the field of archaeological textiles. I have learnt so much by going from one entry to another and ending up in subjects I had not expected or even knew existed. Recommendation: "This is a serious, academic work that is fun to dip into. Broader subjects covered include cross-dressing the use and significance of gemstones horse equipment and textiles religious morality and political philosophy relating to dress the trade of textiles and the use of medieval dress and textiles in the present day.Makes through use of written evidence, both literary and documentary – such as poetry, epic, riddles, wills, inventories, and wardrobe accounts.Examines material sources, both archaeological and artistic – such as manuscript illumination, stone and wood carving, brass engraving, and stained glass.
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